What are you doing this weekend?

You should head out to your local gallery and soak up some lovely art! If you happen to be in Canberra, I highly recommend visiting the Belconnen Arts Centre and the ANU School of Art. After dropping by the Belconnen Arts Centre Mid-Winter Market, I explored my two favourite small galleries, and was suitably impressed by the local art scene – as always!

If you’re keen, read the new reviews, and plan a visit:

Traceries – Paintings and drawings by Jenny Gibson

Jenny Gibson’s exhibition, Traceries, will immerse you in ghostly impressions of the Australian bush. Gibson exhibits a collection of her paintings and sketches, united in their exploration of the bush landscape theme.

BeLonging – embodied contemporaries inspired by place – The Australian Ceramics Association Members’ Exhibition

With works by over 140 ceramicists from The Australian Ceramics Association, BeLonging serves as a reminder of the diversity and expressive power of the ceramic art form. The exhibition gathers artists with a variety of techniques, personal styles, skill sets and voices, and unites them as leaders in the contemporary arts.

Haiku Collection

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Over 2015 my goal has been to unite the forces of my creativity into a cycle of vitality – writing inspires painting, inspires design, inspires jewellery, and back again. I’ve refused a plan and the pressure to work in any one medium. Instead, I let inspiration steer me into both familiar and unknown waters, and have committed myself to simply seeking expressions of calm meditation, simplicity and beauty. Except for the signposts of progress in having exhibitions to work towards, the plan has been to let the spiritual energy of creating move through me, and to let myself be moved. As a self-confessed control freak, this has been a challenge.

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This August, I am launching the results of this creative process. Happily, I was successful in applying for a space at pod, the Craft ACT: Craft and Design Centre pop-up shop, located in The Hamlet, Braddon. Pod lets craft artists show their works in a retail-like setting, and the application process was both scary and motivating. Being successful has meant time off from work and finding the willingness to put my calm, quiet work out there for public consumption again. It also means another step deeper into a personal style that I am increasingly in love with with and that is worth all the risks. The Haiku Collection features sculptures, jewellery, scarves and art. When designing this collection I was directly influenced by a month of haiku writing exercises that I undertook earlier in the year, which I found powerfully calming and meditative. In this collection I’m hoping to capture the simple, minimalist elegance of haiku, to create a kind of visual poetry.

I’ve released some early images on social media, and you can join the event or keep up with news here: https://www.facebook.com/events/1614789535431124/

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Haiku Collection will launch on August 4, with the opening night celebration from 6:00pm. The show will run for two weeks, from 4 – 17 August. Opening hours 9:00 am to 5:00 pm, Tuesday to Sunday. I’m excited for the launch, and I hope to see you there! x – Danni

Caesura – notes on an exhibition

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Caesura exhibition by D Day at Honkytonks, April 2015

Caesura, my solo exhibition at Honkytonks, finished up the week before last. The feedback about the paintings has all been really positive, which is flattering considering I’m still learning a lot about this medium! More importantly, however, is what I’ve learned from reaching this personal goal.

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Caesura exhibition by D Day at Honkytonks, April 2015

From out of Caesura, my love of art has reached a new high.

I really love painting – after a hectic work year last year, I was craving an outlet that was soothing and physical. Painting has become a meditation practice for me, allowing me to centre myself in the moment. While the canvases I’ve played with so far are still somewhat representative, I’m hoping to push myself into colour abstraction more. The simple contrast of colours and textures is really something I love, and I want to explore that without worrying about what it might represent.

Going into 2015, I set myself some goals- finish my Master degree, reinvigorate my art practice, and commit myself to a more balanced work/life schedule than that which I’d been following over the last few years. I wanted to feed learning a new skill in painting into my other art practices, my writing and studies, and cycle the vitality that these practices bring back towards painting. I don’t believe that creativity, work, family and health are experienced independent of each other. I believe that these are the pillars that shape a stable foundation for a happy, energised person- at least, that is true for me, although I’m sure for others the pillars are different or have different levels of importance.

Star Rise I - 2015. Acrylic and watercolour on canvas. 91.4cm x 91.4cm -  Sold

Star Rise I – 2015. Acrylic and watercolour on canvas. 91.4cm x 91.4cm – Sold

In setting myself some goals, I’ve also committed to presenting my works publicly. Not because I need or want validation for the art (if someone likes a piece, I’m grateful, but I don’t expect it). Rather, the exhibitions I’ve set up are signposts of progress for working on my creative pillar. They are events that give me obtainable goals in this task of Self Growth.

Caesura is a big first step in this, but I want to slow everything down now- I’m still operating on a fast paced, immediate timeline that was brainwashed into me by school and work. Instead, I need to remember the meditative stillness that I reach when practicing art, the sensation that time is a slow, beating heart of a great and unknowable beast, and I am a floating speck inside of it. The creation moves through the creator when they reach this point- it is not forced, but a force in itself. If I can capture that slow, rich pace and feed that into my life, I have faith in finding a deeper connection with my work. Caesura reminded me to pause and be still, that space does not need to be filled, but can be harmonious in its simplicity and slowness.

Green Moon - 2015. Acrylic and watercolour on canvas. 91.4cm x 91.4cm -  Sold

Green Moon – 2015. Acrylic and watercolour on canvas. 91.4cm x 91.4cm – Sold

I took down this exhibition and felt lighter for it- goals are good things, but the work was what was necessary first. I’m thankful for the space and the time Honkytonks gave me, and for the friends and family who came to see it. I’m grateful to those who bought pieces in the show and before the show, and those who will come after. If the works speak to you, I hope they do so in that same voice that I hear speaking to me.

The exhibition marks a necessary first step, and funded a second venture in August. After this, I plan to simmer in the quiet, calm space of art. I think it still has so much to teach me.

 – Danielle

Artworks from the exhibition can be found in my online gallery, here: http://daniellekday.com/artist/online-gallery/